{"id":375,"date":"2017-10-18T22:54:29","date_gmt":"2017-10-18T20:54:29","guid":{"rendered":"http:\/\/actualidadvalencia.com\/passejantvalencia\/?p=375"},"modified":"2024-07-15T19:20:19","modified_gmt":"2024-07-15T17:20:19","slug":"bombas-gens-i-casino-republica-del-pinzon-cara-i-creu-la-conservacio-del-nostre-patrimoni-arquitectonic","status":"publish","type":"post","link":"https:\/\/actualidadvalencia.com\/passejantvalencia\/bombas-gens-i-casino-republica-del-pinzon-cara-i-creu-la-conservacio-del-nostre-patrimoni-arquitectonic\/","title":{"rendered":"Bombas Gens i el Casino republic\u00e0 d’El Piz\u00f3n: cara i creu de la conservaci\u00f3 del nostre patrimoni arquitect\u00f2nic."},"content":{"rendered":"

En diferents apunts publicats anteriorment en aquesta p\u00e0gina, he explicat i denunciat les grans p\u00e8rdues de patrimoni arquitect\u00f2nic que ha anat patint la ciutat de Val\u00e8ncia al llarg de tota la seua hist\u00f2ria, encara que de manera m\u00e9s pertina\u00e7 i reiterativa a partir de la d\u00e8cada de 1960, en actuacions moltes vegades lligades a l’especulaci\u00f3 immobili\u00e0ria i a l’extracci\u00f3 de sucoses plusv\u00e0lues econ\u00f2miques.<\/span><\/p>\n

Durant les darreres d\u00e8cades l’increment de la conscienciaci\u00f3 i la sensibilitzaci\u00f3 cap a la conservaci\u00f3 i rehabilitaci\u00f3 del nostre patrimoni ha frenat, que no detingut com ara a continuaci\u00f3 hi exposar\u00e9, aquestes perverses pr\u00e0ctiques de despatrimonialitzaci\u00f3 al Cap i Casal.<\/span><\/p>\n

Fa nom\u00e9s unes setmanes tinguerem dues not\u00edcies que podem considerar paradigm\u00e0tiques de la cara i la creu de la conservaci\u00f3 i rehabilitaci\u00f3 del nostre patrimoni arquitect\u00f2nic urb\u00e0 en els nostres dies: l’edifici de Bombes Gens, situat al barri de Marxalenes, i el Casino republic\u00e0 d\u2019El Pinzon, al barri del Cabanyal-Canyamelar.<\/span><\/p>\n

Dos casos que s’afegeixen a la pol\u00e8mica decisi\u00f3 d’enderrocar l’edifici dels cinemes Metropol, situat a l’Eixample, un edifici modernista de Javier Goerlich contra la qual s’ha al\u00e7at una allau de protestes per part d’associacions i organitzacions en pro de la conservaci\u00f3 del patrimoni, que han tingut un abundant ress\u00f2 als mitjans de comunicaci\u00f3 durant les darreres setmanes.<\/span><\/p>\n

Comencem amb la cara: p<\/span>arle de la completa rehabilitaci\u00f3 i obertura al p\u00fablic com a espai multi-\u00fas, art\u00edstic i sociocultural, de l’antiga f\u00e0brica de bombes hidr\u00e0uliques constru\u00efda en estil Art Dec\u00f3, en els anys trenta del segle passat, per un dels arquitectes valencians refer\u00e8ncia d’aquella \u00e8poca, Cayetano Borso di Carminati, el mateix que va dissenyar l’edifici del cinema Rialto, seu actual de la Filmoteca Valenciana, situat a la pla\u00e7a de l’Ajuntament. Una joia del patrimoni industrial de Val\u00e8ncia que va estar a punt de ser enderrocada fa pocs anys.<\/span><\/p>\n

Els treballs de rehabilitaci\u00f3 han sigut duts a terme per la fundaci\u00f3 privada Per Amor a l’Art que, en breu, es completar\u00e0 tamb\u00e9 amb la rehabilitaci\u00f3 d’un refugi de la Guerra civil i d’un antic celler medieval descobert a l’edifici mentre es realitzaven les obres de rehabilitaci\u00f3.<\/span><\/p>\n

En sengles fotos que hi adjunte a continuaci\u00f3, podem veure “l’abans i el despr\u00e9s” de la rehabilitaci\u00f3 de la porta principal de l’edifici, presses des de la mateixa perspectiva.<\/span><\/p>\n

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I ara continue amb la creu: e<\/span>s tracta de l’enderrocament del Casino republic\u00e0 d\u2019El Pinz\u00f3n, al Cabanyal-Canyamelar, un dels dos casinos republicans que tenia el barri en \u00e8poca de la II Rep\u00fablica, junt al de El Porvenir.<\/p>\n

El Pinz\u00f3n va ser un dels centres socials del barri m\u00e9s actius en el per\u00edode republic\u00e0, un edifici hist\u00f2ric amb m\u00e9s d’un segle d’antiguitat que va arribar a entrar dins dels plans de rehabilitaci\u00f3 per a us d’un museu que, malauradament, ja mai es dur\u00e0 a terme.<\/p>\n

L’edifici es trobava precintat des de fa un temps. Havia estat adquirit a la fi del passat segle per la fam\u00edlia del m\u00fasic Padilla per crear-hi una casa-museu dedicada al compositor, autor del pasdoble “Val\u00e8ncia”.
\nEl projecte, que no va tindre cap suport de l\u2019ajuntament de l’\u00e8poca, finalment no es va portar a terme i l’edifici va ser rehabilitat per la fam\u00edlia. Durant la d\u00e8cada del 2000 va ser ocupat il\u00b7legalment per un grup de joves okupes, que van ser desallotjats anys despr\u00e9s per ordre judicial.<\/p>\n

La degradaci\u00f3 patida per l’edifici en els \u00faltims anys despr\u00e9s de la seua venda per part de la fam\u00edlia Padilla, va degradar l’edifici fins al punt que amena\u00e7ava ru\u00efna. De fet es van arribar a produir alguns despreniments de runa al carrer.
\nPer\u00f2 la situaci\u00f3, similar a la de l’edifici de Bombes Gens en quant a estat de degradaci\u00f3 i ru\u00efna, evolucion\u00e0 de manera molt diferent.<\/p>\n

Mentre Bombas Gens va estar a punt de ser venut per a ser enderrocat i ser constru\u00eft un hotel, finalment fou adquirit per Per Amor a l’Art per ser rehabilitat (va poder ajudar el fet que Bombas Gens comptava amb un nivell de protecci\u00f3 2, qu\u00e8 al 2016 va ser ampliat pel consistori municipal al de B\u00e9 de Rellev\u00e0ncia Local).<\/p>\n

Per contra el Casino El Pinz\u00f3n, sense cap nivell de protecci\u00f3, va ser venut a un inversor que ha completat el seu enderrocament per construir un edifici de 4 plantes i 12 habitatges.
\n“L’enderroc est\u00e0 completament fora de lloc en un context democr\u00e0tic com l’actual. Sembla un procediment propi d’altres temps i altres sistemes pol\u00edtics”. Aquesta frase, pronunciada per Daniel Benito Goerlich, professor d’Hist\u00f2ria de l’Art a la Universitat de Val\u00e8ncia i expert en la conservaci\u00f3 del Patrimoni Cultural, nebot-n\u00e9t de Javier Goerlich, estava referida al prop\u00f2sit d’enderrocar l’edifici modernista del Cinema Metropol.
\nJo la faig extensiva tamb\u00e9 al incomprensible enderroc ja consumat del Casino El Pinz\u00f3n, i a tots aquells intents d’acabar en els nostres dies amb el nostre patrimoni arquitect\u00f2nic, un patrimoni que, encara que puga estar en mans privades, pertany a la hist\u00f2ria de la ciutat i, per tant, al de tots els seus ciutadans. \u00c9s obligaci\u00f3 de les administracions p\u00fabliques, en aquest cas al consistori municipal, vetllar perqu\u00e8 aquest principi es complisca.<\/p>\n

Hi adjunte a continuaci\u00f3 sengles fotografies del “l’abans i el despr\u00e9s” d’aquest Casino republic\u00e0, que malauradament ha passat ja a formar part de la mem\u00f2ria de Val\u00e8ncia.<\/p>\n

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\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Sengles casos de conservaci\u00f3 i destrucci\u00f3 del patrimoni, esdevinguts paradigma de la hist\u00f2ria recent de Val\u00e8ncia…<\/p>\n","protected":false},"author":140,"featured_media":380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[827],"tags":[],"class_list":{"0":"post-375","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-patrimoni-arquitectonic-derruit"},"yoast_head":"\nBombas Gens i el Casino republic\u00e0 d'El Piz\u00f3n: cara i creu de la conservaci\u00f3 del nostre patrimoni arquitect\u00f2nic.<\/title>\n<meta name=\"description\" content=\"Sengles casos de conservaci\u00f3 i destrucci\u00f3 del patrimoni, esdevinguts paradigma de la hist\u00f2ria recent de Val\u00e8ncia...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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